Amanda Snavely

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Moisture Variations in Dye Painting

Chapter 4 of Ann Johnston’s Color by Design is my favorite so far in our Dyeing Support Group. My favorite is the organic quality you get from painting on soda-soaked wet fabric and applying pressure to plastic over the top.

Thin Paste on Wet Fabric with Primary Colors - I like that you get secondary colors as the dyes bleed into each other; especially after pressing the plastic on top.

2nd sample of Thin on Wet Primary Colors


My Favorite - I love the surprise organic lines and shapes of the thin paste on wet soda-soaked fabric

Thin on Wet Secondary Colors and neutral created by adding the secondary colors together.


2nd Sample of Thin on Wet Secondary Colors


Textured Objects placed underneath wet soda-soaked fabric and thin dye painted with brush - I enjoyed this technique


Thin Paste on Dry Fabric is my least favorite. I can see circumstances where you would want less bleeding until the edges to keep some white or light areas. Maybe I would prefer it if I tried different shapes and colors.


Thick Dye painted on wet soda-soaked fabric


Thick Dye on Dry Fabric


Print Paste painted on fabric before adding medium thickness dye painted on with sponge brushes. This was nice and evenly blended and then I decided to add additional colors with a dryer sponge brush. I don’t really like sponge brushes but they have their purpose. I much prefer using paintbrushes.


Combination of thick and thin colors painted on dry fabric


I was surprised how much more I enjoyed the exercises on wet soda-soaked fabric over the dry fabric. The fluid organic lines and intermixing of colors had interesting results. I will definitely spend more time with the same techniques and additional colors with varying thicknesses of print paste.