Life in Abstraction
I am extremely happy to announce that my piece, Life In Abstraction, has been selected as one of the 45 art quilts to tour as the Shifting Tides: Convergence in Cloth - SAQA Show from 2019 - 2021. The show debuts in California to coincide with the SAQA National Conference. The show then tours via museums and galleries in Alaska, California, Canada, Hawaii, Nevada, Oregon, and Washington.
©2018, Amanda Snavely, All Rights Reserved.
Photo by Sam Garnett
Detail of Life in Abstraction
©2018, Amanda Snavely, All Rights Reserved.
Photo by Sam Garnett
Tour Schedule from SAQA’s website as of January 2019:
First Venue:
Venue Name: Works/San Jose
Address: 365 South Market Street, San Jose, California 95113
Exhibition Run Dates: April 19 – May 5, 2019
Venue Name: Pacific Northwest Quilt and Fiber Arts Museum
Address: 703 South 2nd Street, La Conner, Washington 98257
Exhibition Run Dates: June 1 – August 24, 2019
Venue Name: Chehalem Cultural Center
Address: 415 East Sheridan Street, Newberg, Oregon 97132
Exhibition Run Dates: March 1 – April 24, 2020
Venue Name: Wailoa Center, State Parks, DLNR
Address: 200 Piopio Street, Hilo, Hawai’i
Exhibition Run Dates: July 1 – July 30, 2020
Venue Name: International Gallery of Contemporary Art
Address: 427 “D” Street, Anchorage, Alaska 99501
Exhibition Run Dates: August 26 – September 30, 2020
Venue Name: Pratt Museum
Address: 3779 Bartlett Street, Homer, Alaska 99603
Exhibition Run Dates: October 1 – 31, 2020
Venue Name: Visions Art Museum
Address: 2825 Dewey Road, Suite 100, San Diego, California 92106
Exhibition Run Dates: January 1 – April 4. 2021
Venue Name: Pacific Grove Museum of Natural History
Address: 165 Forest Avenue, Pacific Grove 93950
Exhibition Run Dates: July 1 – September 30, 2021 (working dates)
Metamorphosis - SAQA Global Show
I am extremely happy to announce that my piece, Unveiled Existence, has been selected as one of the 25 art quilts to tour as the Metamorphosis - SAQA Global Show from 2018 - 2021. The show opens at the International Quilt Festival - Houston, Texas in November 2018. The Metamorphosis show then continues on to other venues including the International Quilt Festival - Chicago, Illinois in April 2019.
Unveiled Existence
38.5" x 33"
Silk Organza, Loosely Woven Fabric, Cotton Thread, Metallic Thread, Polyester Thread
Photo By: Sam Garnett
Detail of Unveiled Existence
Photo By: Sam Garnett
Studio Art Quilt Associates (SAQA) is an international organization that promotes art quilts.
An art quilt is defined by SAQA as “a creative visual work that is layered and stitched or that references this form of stitched layered structure”.
The word "references" allows for a broader understanding of the art quilt that welcomes growth and development of individual style. This may include:
more 3D work and work in media other than fiber/textile/fabric/cloth
techniques and materials not found in traditional quilting
framed, unframed, bound, and unbound work
- Definition from SAQA website
Detail of Unveiled Existence
Photo By: Sam Garnett
Detail of Unveiled Existence
Photo By: Sam Garnett
Detail of Unveiled Existence
Photo By: Sam Garnett
Unveiled Existence consists of numerous layers of hand dyed silk organza. A loosely woven fabric is used as the middle layer to add another level of texture. I also used both silk screen and discharge processes to alter the hand dyed silk organza. The top layer is embellished with hand stitching using a variety of threads.
Ice Dyeing
Saturday was a fabulous day of experimenting with ice dyeing with Sheryl LeBlanc and Judith Quinn Garnett.
The process steps we referred to for this experiment were from Linda Johansen.
Prewash fabric with Synthrapol if it is not PFD fabric.
Make a Soda Ash Solution:
- 1 Cup of Soda Ash
- 1/2 Cup of Salt
- 1 Gallon (16 cups) warm water
Stir until dissolved.
Soak the fabric in the Soda Ash Solution for 10 minutes. Wring out fabric. Scrunch, pleat, or fold the fabric as desired and shove it in a small (32 oz. ideal) clear container. Clear containers allow you to see the dye penetration. The tighter the fabric is gathered the more crackling and resist. Break up a bag of ice in to small pieces (as small as possible). Cover the fabric in the containers with a layer of ice. Immediately sprinkle dry MX dye powders on the ice (roughly 1/4tsp or more per color). Wait for the ice to melt. Rinse. Final wash in machine with Synthrapol.
I use Dharma's MX dyes primarily and have referenced my samples with their dye color numbers (unless otherwise noted as a ProChem Dye).
Silk Organza - Truffle Brown (135), Azure (56), Golden Brown (113)
Silk Organza - Truffle Brown (135), Azure (56), Golden Brown (113)
Silk Organza - Truffle Brown (135), Azure (56), Golden Brown (113)
Silk Organza - Musk Melon (ProChem 200), Deep Orange (6), Rust Orange (8)
Silk Organza - Musk Melon (ProChem 200), Deep Orange (6), Rust Orange (8)
PFD Cotton Sheeting - Brazil Nut (116), Buttescotch (ProChem 115), Truffle Brown (135)
PFD Cotton Sheeting - Avoacdo (33), Moss Green (134), Bronze (37)
PFD Cotton Sheeting -
PFD Cotton Sheeting -
PFD Cotton Sheeting - Maroon (16), Black Cherry (111), Fog (L-14)
PFD Cotton Sheeting - Bronze (37), Eggplant (115), Black Cherry (111)
PFD Cotton Sheeting - Gun Metal Grey (150), Charcoal (41), Storm Grey (Pro Chem 6160)
PFD Cotton Sheeting - Black Cherry (111), Plum (19)
Dyeing Thread
While perusing the latest Quilting Arts Magazine I was inspired to experiment with dyeing cotton thread using DMC Floss Holders after reading Thread Dyeing 101: Two Approaches by Carol Soderlund and Melanie Testa. I really want to work more in dyeing silk thread after my class with Peg Gignoux. However, this was a quick and cheap experiment since I could get all the materials on sale at Jo-Ann's with their million coupons. For the experiment I used DMC StitchBow Floss Holders and DMC Pearl Cotton Size 12 in White.
While perusing the latest Quilting Arts Magazine I was inspired to experiment with dyeing cotton thread using DMC Floss Holders after reading Thread Dyeing 101: Two Approaches by Carol Soderlund and Melanie Testa. I really want to work more in dyeing silk thread after my class with Peg Gignoux. However, this was a quick and cheap experiment since I could get all the materials on sale at Jo-Ann's with their million coupons. For the experiment I used DMC StitchBow Floss Holders and DMC Pearl Cotton Size 12 in White.
Because I generally dye in small batches, my go to book for Dyeing Recipes is Color By Accident (Low-Water Immersion Dyeing) by Ann Johnston. I wanted to experiment with colors to coordinate with some fabrics I had previously dyed in my Grey Experiment which I will detail in a subsequent post.
It is very important to take notes while you are dyeing or you will never remember dye stock amounts, dye bath timing, etc. TRUST ME!!!! YOU WILL NOT REMEMBER! I number my dye buckets or my ziplock bags with a Sharpie and then make notes in a notebook for corresponding dye stock amounts and timing.
Thread Dyeing Steps:
- wrap the thread in manageable lengths on the floss holders
- prewash the wrapped floss holders in the sink with hot water and Synthrapol
- soak wrapped floss holders in Soda Ash solution
- prepare dye stock
- decide on development time and dye stock amounts
- make note of time & dye stock amounts selected (you will never remember later so take the time to do this now before you don your rubber gloves again)
- Measure out Soda Ash solution into number buckets
- Add dye stock
- Time for desired length of time
- Drain bucket or bag
- Rinse wrapped floss holders with alternating hot and cold water until the water runs clear
- Wash wrapped floss holders by hand with Synthrapol and hot water
- Rinse
- Hang to dry
For the above threads I used 1/2 cup of Soda Ash Solution and Soaked for 15minutes.
Dye Stock Amounts for 1-5 (left to right) See Current Dye list for Experiments for additional info on Dye:
- G&K 6160 Stormy Grey 1/4 tsp
- Dharma 44 Better Black 1/4 tsp
- G&K 5193 Bronze 1/4 tsp
- Mix of Dharma 23 Cerulean Blue 1/4 tsp & Dharma 44 Better Black
- Pre Dyed in #3 then quick overdye dip in #4
I found that the dye coverage was basically consistent. I like irregularity so I wasn't trying for perfect color but with little to no effort other than wrapping loosely and agitating the dye bath once or twice the color was still pretty consistent. Wrapping tighter or wrapping longer length of thread might cause more irregularity so keep that in mind based on the results you want. After dyeing, the thread did not fuzz and sews well on the current project I am testing it on. I was happy with the way the floss holders managed the thread for dyeing and storage. They can easily be reused. Braiding lengths works well for times I want more variegation but the floss holders worked well for me for a more uniformed color.