Hand Stitching Helpers
I am very frugal in buying only things I know I will use. So, since I already had various size round embroidery hoops I kept putting off buying the square one I really wanted. As a designer, I like to see how each stitch I add contributes to the piece. This was hard for me to visualize in the round. I knew it would be easier to get a sense of the larger piece in a square as I am used to using the concept of a view finder for art compositions. I finally decided to buy the square and have never second guessed my decision. I LOVE LOVE LOVE it! OK, so I am a weird person who gets excited over art supplies. I was also the kid that loved getting new school supplies each year so no big surprise. My first square was the Dritz Quilting Quilt N'Go Lap Frame 11"x11" . It was the perfect solution to managing the fabric for the pieces I was hand stitching.
I am very frugal in buying only things I know I will use. So, since I already had various size round embroidery hoops I kept putting off buying the square one I really wanted. As a designer, I like to see how each stitch I add contributes to the piece. This was hard for me to visualize in the round. I knew it would be easier to get a sense of the larger piece in a square as I am used to using the concept of a view finder for art compositions. I finally decided to buy the square and have never second guessed my decision. I LOVE LOVE LOVE it! OK, so I am a weird person who gets excited over art supplies. I was also the kid that loved getting new school supplies each year so no big surprise. My first square was the Dritz Quilting Quilt N'Go Lap Frame 11"x11" . It was the perfect solution to managing the fabric for the pieces I was hand stitching.
I use three layers of fabric joined with either 505 Spray or Wonder Under so I don't need a frame for free motion stitching on my machine. The Quilt 'N Go won't fit under my machine foot so I would have to resort to a thinner round hoop if I needed a frame.
My next piece was larger so I decided to invest in a second larger frame. I made the mistake of running with my Michael's coupon and buying a similar product: Loops & Thread Plastic Snap Frame. Bad choice. The frame was flimsy and the snap covers were so tight it actually damaged the weave of my fabric. I quickly returned that piece of junk. I then purchased the Dritz Quilting Quilt N' Go Lap Frame in the 14" x 14" size. There was little different in price between the two brands and the Dritz was far superior in quality.
It would be nice if Dritz sold connectors so you could add pieces together for different size or shape. I have not taken it with me to a hardware store yet to see if a standard pvc connector would work.
For any extra fabric on the edges that still got in my way I would roll the fabric and use Clover Wonder Clips. I have not seen the Clover Jumbo Wonder Clips in person to judge if they would be better or too big for most of my pieces.
In the future, I will use the Lap Frame for any projects that need the assistance of a frame for manageability.
Textile Dyeing & Collage with Peg Gignoux
My class at The Pacific Northwest School of Art was taught by Peg Gignoux. I had first admired her work locally at Light Art Design during the STITCH exhibit. Ironically, she lives about 30 minutes from me but I flew cross country to attend the only workshop she had scheduled in the USA for 2014. I am very happy with that decision, as it was exactly the workshop I needed as well as being introduced to PNSA. You can view Peg Gignoux's work on her website http://www.ingignouxity.com.
My class at The Pacific Northwest School of Art was taught by Peg Gignoux. I had first admired her work locally at Light Art Design during the STITCH exhibit. Ironically, she lives about 30 minutes from me but I flew cross country to attend the only workshop she had scheduled in the USA for 2014. I am very happy with that decision, as it was exactly the workshop I needed as well as being introduced to PNSA. You can view Peg Gignoux's work on her website http://www.ingignouxity.com. The course description for the class, Textile Dyeing & Collage read as follows: "Explore the translucence and luster of silk of many weights and hues. We will hand dye silk thread and lengths of organza and habotai creating a vivid collection of fabrics to layer and stitch to linen, to cotton, to paper! Create complex colors as you blend materials, cut and redefine the surface. Add in vintage maps, old lace, antique letters and find your way into a series of expressive mixed media collages. We will play with innovative ways to work hand and/or machine stitches into the surface of each composition." (PNSA & Peg Gignoux)
In the class we covered stamping, silk screening with thermofax screens, dyeing silk fabric and thread, hand stitching, layering of organza, and basic collage techniques. We were unable to learn how to make the thermofax screens since the school did not have a thermofax machine. However, it sounded like after the class that they were going to try to include it in their future budget to obtain one for class use.
One of the products that was introduced in the class that I have used extensively since the class instruction is Pellon 805 Wonder Under which is a paper backed fusible web interfacing. I had previously used 505 Spray for join fabrics prior to sewing. However, the Wonder Under works much better for sheer fabrics and controlling frey in raw edge applique. During the class I was also converted to using multiple layers of cotton or linen fabric instead of using batting. For stiffer applications we included Watercolor Paper. Both options made it much easier to pull the silk thread through when hand-stitching.
I started experimenting with color manipulation with varied layers of silk organza during the class and plan to experiment more with this technique in one of my next projects.